If we know little about real world cameras, this may not make very much sense to us. For a DSLR camera, your typical kit lens would be something like 18-55mm zoom. We use the perspective type in most cases, so let’s stick with that for now. This is for emulating a fisheye lens or a 360-degree camera. The third option is for extreme lens distortion instead. For instance, rendering a blueprint, or an isometric view that is common when making certain kinds of low poly art. We can use this head-on view for more technical applications. This type eliminates all perspective and lens distortion. Perspective is your typical camera you have everywhere, from your webcam, to mobile phone and to your most high-end film camera. Here we can set the type of camera we want. We will start with the first section called lens. We will look at the most useful settings and then dive into some special cases further down.
With resolution and aspect ratio out of the way, select the camera and move over to the object data tab for a quick rundown. This is useful primarily for creating preview renders quicker. We can change the percentage value to render a smaller or larger version of the same view. Leave the aspect ratio set to one and adjust the resolution for your needs. Here we can set the resolution and the aspect ratio. While the more camera specific settings live within the camera object, settings related to output lives within the render settings. Since our built-in render engines, Eevee and Cycles aim at physically correctness it is not very shocking that the camera should mimic the real world. Blender camera settingsīlenders camera object is not that different from a regular camera. In an earlier article, we looked at the movement of the camera and viewport navigation. In this article, we continue with corresponding real world camera settings and continue with some special cases. Today I want to focus on some features of Blenders camera. The camera object as some useful settings to get just the right angle, focal length, and depth of field, adding that nice blur and bokeh that everybody loves in photos.
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